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Showing 63 items.
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The Poetry Center presents Nigerian novelist Okey Ndibe reading from and discussing his novel, Foreign Gods, Inc. (Soho Books, 2014). Ndibe collaborates in his reading, at one point, with members of the audience. His reading is followed by his responding to questions from the audience. Ndibe's appearance was co-sponsored by SFSU Departments of English, Africana Studies, and Creative Writing, together with The Poetry Center.
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The Poetry Center presents the third event of the Kuwentuhan (Talkstory) project, featuring readings by Arlene Biala, Urayoan Noel, and Aimee Suzara, at the Bayanahan Community Center in San Francisco. Kuwentuhan (Talkstory), a project of The Poetry Center and Barbara Jane Reyes, is supported by the Creative Work Fund.
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The Poetry Center and False Starts at The Lab present Alice Notley reading Books One and Two of The Descent of Alette (Penguin Books, 1996). Books Three and Four were read the following night (see Alice Notley: November 15, 2016).
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The Poetry Center and False Starts at The Lab present Alice Notley reading Books Three and Four of The Descent of Alette (Penguin Books, 1996). Books One and Two were read by her the previous night (see Alice Notley: November 14, 2016).
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The Poetry Center, together with City Lights Books and The Green Arcade, present a 50th Anniversary reading of Frank O'Hara's Lunch Poems (City Lights Books Pocket Poets Series, 1964; 50th Anniversary Edition, 2014) at McRoskey Mattress Co., San Francisco. O'Hara's 43 poems from his book are performed in sequence by an array of Bay Area poets and friends.
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The Poetry Center presents Charles Olson reading from The Maximus Poems and other works.
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The Poetry Center presents George Oppen reading two major sequences from his 1968 book Of Being Numerous, for which he would receive the Pulitzer Prize for poetry in 1969. The recording has no introduction. It picks up with Oppen reading from the middle of the poem "Route." Note: Occasionally throughout the recording, the audio becomes inaudible for a word or two, but most words can be heard through close listening and adjusting the volume.
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The Poetry Center presents a return reading (following his early 1968 Poetry Center reading) by George Oppen, in honor of his receiving the 1969 Pulitzer Prize for his book Of Being Numerous. Oppen begins with "the last two poems from a new group of poems," the first a poem resembling "The Translucent Mechanics" only in its title, and the second, "But So As By Fire," the final poem in his sequence "Some San Francisco Poems," to appear in his successive book, Seascape: Needle's Eye3m>. He then reads the two long poems in sections, "Route" in its entirety and nearly all sections from "Of Being Numerous."
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The Poetry Center presents the 33rd annual George Oppen Memorial Lecture featuring David B. Hobbs at the Unitarian Center. Hobbs's talk is titled "Oppen and His Early Others," and builds on his research on a formerly lost manuscript of Oppen’s early poetry which he discovered in Ezra Pound's papers, and subsequently edited for publication as 21 Poems by George Oppen (New Directions, 2017). The lecture is followed by his response to a question from Frances Richard, in the audience, then his reading of two of Oppen's early poems.
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The Poetry Center presents Gregory Pardlo reading from his books Totem (Copper Canyon Press, 2007) and Digest (Four Way Books, 2014), the latter for which he was awarded the Pulitzer Prize in poetry for 2015. The event was co-sponsored by The Poetry Center, and the Departments of Creative Writing, English, and Creative Writing at San Francisco State University.
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The Poetry Center presents Kenneth Patchen reading from his poetry.
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The Poetry Center presents David Lau reading from his forthcoming book, Still Dirty (AK Press/Commune Editions, 2016), and Ed Pavlic reading from Let’s Let That Are Not Yet: INFERNO (Fence Books, 2015), followed by questions and conversation with the audience. NOTE: The video recording was lost in the back-up process, so this event is represented via audio recording only. Our apologies.
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The Poetry Center presents Bruce Boyd, Saul White, and Stuart Z. Perkoff reading from their poetry.
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The Poetry Center presents Carolina De Robertis and Micah Perks reading and in conversation. Carolina De Robertis reads her poem "Para Orlando" ("For Orlando") and from The Gods of Tango (Vintage Books, 2015). Micah Perks reads from her novel What Becomes Us (Outpost19, 2016). The readings are followed by a conversation with the audience.
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The Poetry Center presents poet and translator Pierre Joris reading, primarily, from his collection Barzakh: Poems 2000-2012 (Black Widow Press, 2014), and a reading and performance by multi-media artist Nicole Peyrafitte, with works from Bi-Valve: Vulvic Space, Vulvic Knowledge, before the two take questions from the audience.
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The Poetry Center and the Labor Archives and Research Center present poet/artist/activists Cassie Thornton, Christian Nagler, and Christopher Higgenbotham discussing their community projects and reading and performing their works. Tanya Hollis introduces the event, followed by Cassie Thornton reimagining the meaning and structure of debt; Christian Nagler reading a series of poems; and Christopher Higgenbotham performing his spoken-word poem “Why, America?” The event concludes with questions from the audience. Co-sponsored by The Poetry Center, SFSU Labor Archives and Research Center, and Service Employees International Union Local 1021.
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The Poetry Center presents Maw Shein Win, Carrie Hunter, Melissa Eleftherion, Aja Couchois Duncan, and Trevor Calvert reading from their contributions to The Poetry Center Chapbook Exchange, an online community for poets to share and collaborate through chapbooks, hosted by The Poetry Center. Their readings are followed by a conversation with the audience.
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The Poetry Center presents Paul Ramsey and Ron Loewinsohn reading from their selected works.
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The Poetry Center presents Janice A. Lowe performing her songs written to the poems from her book Leaving Cle: Poems of Nomadic Dispersal (Miami University Press, 2016), accompanied by Yohann Potico on bass and Kevin Carnes on drums.
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The Poetry Center presents Margaret Randall and Sergio Mondragon reading their work. George Hitchcock reads the English translation of Mondragon's poems after Mondragon has finished reading the original Spanish.
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The Poetry Center presents Margaret Randall reading and in conversation. Randall speaks and reads from the anthology she edited and translated, Only the Road/Solo el Camino: Eight Decades of Cuban Poetry (Duke University Press, 2016). The reading is followed by a conversation with the audience. During March 2017, all Poetry Center programs were dedicated to the theme "Because We Come from Everything: Poetry and Migration," shared with 30+ organizations across the US engaged in the Poetry Coalition.
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The Poetry Center Presents John Crowe Ransom reading a selection of poems
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The Poetry Center presents the March 1956 Berkeley re-creation of the famed October 1955 Six Gallery reading, introduced by Kenneth Rexroth, and featuring Gary Snyder, Philip Whalen, and Michael McClure.
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The Poetry Center presents Kenneth Rexroth reading from his poetry and translations.
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The Poetry Center presents Kenneth Rexroth, reading from his poetry and playing recordings of French songs.
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The Poetry Center presents Kenneth Rexroth, reading translations as well his own selected works.
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The Poetry Center presents Oscar Bermeo and Barbara Jane Reyes reading and in conversation. Bermeo reads unpublished work. Reyes reads new unpublished work, and from her books For the City That Nearly Broke Me (Aztlan Libre Press, 2012), Diwata (BOA Editions, 2010), and To Love as Aswan (PAWA, Inc. Publications, 2015). Following her reading, Kuwentuhan (Talkstory), a short film produced by San Francisco State University’s Documentary Film Institute and edited by Daewon Kim is screened, with the film incorporating a reading by Reyes of Joy Harjo's poem "Perhaps The World Ends Here." Kuwentuhan (Talkstory) is a project of the Poetry Center and Barbara Jane Reyes, supported by the Creative Work Fund. The film is followed by a conversation between the poets and the audience.
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The Poetry Center presents Charles Reznikoff and George Oppen in an early reading from their respective books, By the Waters of Manhattan and The Materials, among other work. Both books, co-published by New Directions/The San Francisco Review, for each of the poets was their first book publication by a prominent publisher, and for Oppen his first published work since his 1934 debut Discrete Series, almost three decades prior.
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The Poetry Center presents Frances Richard delivering the 32nd annual George Oppen Memorial Lecture, entitled "The Mind's own Place and Feminine Technologies: George Oppen and Possibilities of the Political." The Oppen Memorial Lecture series benefits from the support of the Dorothy A. Fowler Trust.
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The Poetry Center presents Mg Roberts and Geneva Chao reading and in conversation. Mg Roberts reads from not so, sea (Durga Press, 2014) as well as from her forthcoming book Anemal Uter Meck (forthcoming from Black Radish Books, 2017). Geneva Chao reads from One of Us is Wave One of Us is Shore (Otis Books, 2016) and Hilary is Dreaming (Make Now Books, 2016). The readings are followed by a conversation with the audience.
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The Poetry Center presents a memorial tribute to Stephen Rodefer (1940–2015), with reminiscences and poems, mostly by Rodefer, read by twenty Bay Area poets and friends. The event incorporates a portion from a Poetry Center video of Stephen Rodefer reading, May 8, 1975, at San Francisco State University.
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Theodore Roethke reading from his poetry, for the Poetry Center's inaugural reading.
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The Poetry Center presents Martha Ronk and Paul Vangelisti, reading and in conversation. Martha Ronk reads poems on the subject of photography from her book Ocular Proof (Omnidawn Publishing, 2016) and newer works in manuscript. Paul Vangelisti reads poems from his book Border Music (Talisman House, 2016) and a longer work from the chapbook "Toodaloo" (Magra Books). The readings are followed by a conversation with the audience.
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The Poetry Center presents Jerome Rothenberg, reading and in conversation. Rothenberg reads works from several of his books, including Flower World Variations (revised, expanded edition, The Operating System, 2017), Eye of Witness: A Jerome Rothenberg Reader (Black Widow Press, 2013), China Notes & the Treasures of Dunhuang (Ahadada Books, 2006), and A Field on Mars: Divagations & Autovariations, Poems 2000-2015 (PURH, 2015), plus a new poem and a poem previously published in the online magazine Jacket2. The reading is followed by a conversation with the audience.
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The Poetry Center presents William Rowe and Helen Dimos reading and in conversation. William Rowe reads newer poems in manuscript form, his translations from Raúl Zurita and César Vallejo, and poems from his own Collected Poems (Crater Press, 2016). Helen Dimos reads from No Realtor was Compensated for this Sale (The Elephants, 2017) and poetry in manuscript. Their readings are followed by a conversation with the audience.
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The Poetry Center presents Muriel Rukeyser reading from her poetry.
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The Poetry Center presents Muriel Rukeyser reading from her poetry and translations of Octavio Paz.
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The Poetry Center presents Richard Brautigan and Floyd Salas, reading from their own works.
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The Poetry Center presents Hollie Hardy reading from her Poetry Center Book Award winning volume How to Take a Bullet and Other Survival Poems (Punk Hostage Press, 2014), together with award judge Mukta Sambrani, reading from The Woman in This Room Isn’t Lonely (Writer’s Workshop, Calcutta, 1997) and Broomrider’s Book of the Dead (Paperwall Media, Mumbai, 2015).
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The Poetry Center presents a reading by Delmore Schwartz.
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The Poetry Center presents David Brazil, Rebecca Eland, Sara Larsen, and Andrew Schelling reading and in conversation. David Brazil reads "Tombstone Blues," Rebecca Eland reads from Arrives, then Steady Pace with the Hour (Plein Air Editions, 2016), Sara Larsen reads from Merry Hell (Atelos, 2016), and Andrew Schelling reads a mixture of published and unpublished works. The readings are followed by a conversation with the audience.
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The Poetry Center presents James Schevill's play The Bloody Tenet performed by members of the Actors Workshop.
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The Poetry Center and the Center for Iranian Diaspora Studies at San Francisco State University co-present a reading by Solmaz Sharif. Sharif reads from her book of poetry Look (Graywolf Press, 2016), and from new work in manuscript. The reading was followed by a reception, with the event held in celebration of the new Center for Iranian Diaspora Studies and its premier director, Persis Karim.
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The Poetry Center presents Prageeta Sharma reading from Undergloom (Fence Books, 2013), from previously published works, and from manuscript. Thomas Devaney reads from Calamity Jane (Furniture Press, 2014), Runaway Goat Cart (Hanging Loose Press, 2015), and other work. The readings are followed by a conversation between the poets and their audience.
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The Poetry Center presents Dale M. Smith speaking on Robert Duncan and Charles Olson, reading briefly from his own poetry, and in conversation. Smith presents two pieces drawing on his research into the relationship between poets Duncan and Olson, as involved in his work on two books: An Open Map: The Correspondence Between Robert Duncan and Charles Olson and Imagining Persons: Robert Duncan's Lectures on Charles Olson, both volumes co-edited by Smith and the late Robert J. Bertholf (University of Mexico Press, 2017). Smith also reads briefly from his recent book Sons (Knife Fork Book, 2017). The reading is followed by a conversation with the audience.
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The Poetry Center presents Lee Ann Brown and Rod Smith reading and in conversation. Lee Ann Brown reads new work as well as poems from her book In the Laurels, Caught (Fence Books, 2013). Rod Smith reads from his book Touché (Wave Books, 2015) as well as from unpublished work. The readings are followed by a conversation with the audience.
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The Poetry Center presents Gary Snyder reading from his poetry. This event also included poet Philip Levine.
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The Poetry Center presents Gary Snyder reading translations of Kenji Miyazawa and his own work, mostly unpublished at the time from his life in Japan, in the Sierras, and assorted travels.
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The Poetry Center presents Gary Snyder reading from his translations of Japanese and Chinese Poetry, as well as descriptions of the culture surrounding and the personalities of the poets: Sakaki Nanao, Nagasawa Tetsuo, Mao Ze Dong, Wang Yang Ming, and Yamada Kaiya.
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The Poetry Center presents Wendy Trevino and Oki Sogumi, reading and in conversation. Wendy Trevino reads from her chapbook, Brazilian Is Not a Race (Commune Editions, 2016) and from unpublished work. Oki Sogumi reads the introduction to Smear Jelly Dreaming A goo daughter & Time Travel and Friendship (Museum of Expensive Things, 2016), and from unpublished work. The poets' readings are followed by a conversation with the audience.
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The Poetry Center presents Layli Long Soldier and Truong Tran reading and in conversation. Layli Long Soldier reads from Whereas (Graywolf Press, 2017), along with unpublished work. Truong Tran reads new poems in manuscript. The readings are followed by a conversation with the audience. During March 2017, all Poetry Center programs were dedicated to the theme "Because We Come from Everything: Poetry and Migration," shared with 30+ organizations across the US engaged in the Poetry Coalition.
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The Poetry Center presents Clarence Major and Patricia Spears Jones, celebrating the release of two retrospective volumes: Major’s From Now On: New and Selected Poems, 1970–2015 (University of Georgia Press, 2015) and Spears Jones’s A Lucent Fire: New and Selected Poems (White Pine Press, 2015). Their readings are followed by both poets responding to questions from the audience.
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The Poetry Center presents Jack Spicer reading from his poetry.
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The Poetry Center presents poets from Jack Spicer's "Poetry as Magic" Workshop, including Helen Adam, Ebbe Borregaard, Robert Connor, Joe Dunn, Joseph Kostolefsky, Sue Rosen, and George Stanley, reading from their works. Note: this is part one of a two-day group reading.
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The Poetry Center presents poets from Jack Spicer's "Poetry as Magic" Workshop, including Jack Gilbert, Sue Rosen, and George Stanley, reading from their works. Note: this reading is the second part of a two-day event.
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The Poetry Center presents William Stafford reading from his poetry.
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The Poetry Center presents William Stafford reading from his works.
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The Poetry Center presents Ebbe Borregaard and George Stanley reading from their early poetry.
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The Poetry Center presents George Stanley reading from his poetry.
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The Poetry Center presents poet-scholars Robert Dewhurst and Michael Seth Stewart reading from and discussing the works of poet John Wieners (1934–2002). The program includes a screening of the outtakes from Richard O. Moore's 1965 "USA: Poetry" public television documentary featuring John Wieners in San Francisco along with Robert Duncan.
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The Poetry Center presents Stacy Szymaszek reading from Hart Island (Nightboat Books, 2015) and Peter Culley reading from Hammertown (New Star Books, 2013) and The Age of Briggs and Stratton (New Star Books, 2008), followed by the poets taking questions from the audience.
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The Poetry Center presents poets Peter Culley, reading from a recent collaborative work done with Elisa Ferrari, then from Parkway, from his Hammertown trilogy (New Star Books, 2003–2013), and Stacy Szymaszek, reading from Hart Island (Nightboat Books, 2015) and from the manuscript to a work subsequently titled Journal of Ugly Sites and Other Journals, which would be awarded the Ottoline Prize and published in 2016 by Fence Books.
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The Poetry Center presents Cosmic Diaspora and Steve Dalachinsky, reading and in performance. Cosmic Diaspora (Jake Marmer, poetry; John Schott, guitar; and Joshua Horowitz, keyboard, accordion) opens with a set of songs shaped around poems by Marmer, paralleling immigration and science fiction. Steve Dalachinsky follows with an extended reading, much of it dedicated to musicians, from The Superintendent's Eye (Autonomedia/Unbearable Books, 2000), The Mantis (Iniquita Press, 2009), and works in manuscript.