Skip navigation
Powered by DIVA

Robert Duncan: May 18, 1959 (Updated over a year ago)

Related Items

Robert Duncan: October 10, 1956 Jack Spicer: April 11, 1957 Yvor Winters: February 14, 1958 Robert Creeley: July 16, 1959 John Wieners: June 21, 1959

Comments

Over a year ago, The Poetry Center wrote…

Thank you, Peter. Of course you are right. Ah, memory....  Revising our notes is a bit complex (tech staff must delete old record and replace with revised record), but we will qualify RD's remark in our notes.

Over a year ago, Peter Q wrote…

RD screwed the date up. He didn't get as passport until 1955, when he went to London en rioute tio Mallorca. His 1953 date for the first draft is completely w r o n g -- and later on the tape he says he rewrote it "some two years later" in SPRING 1958. Do the math.

Add comment

Information

  • Originally Recorded By: The Poetry Center
  • Location: San Francisco
  • Date: 05/18/1959
  • Total Run Time: 01:00:43
  • Audio Content:
    • Opening comments on what Duncan will be reading and how he developed his book (00:01)
    • "Often I Am Permitted to Return to a Meadow" (00:36)
    • Comments on rewriting "Often I am Permitted to Return to the Meadow" from its creation in 1953 in London to the changes it underwent as the first poem in "The Opening of the Field" (01:56)
    • "The Structure of Rime II" (05:11)
    • Comments on how he developed the title "The Opening of the Field" from a key line in "The Structure of Rime II" (05:28)
    • Further comments on revisions of the poem, the theme of the Queen Under the Hill and its mythic origins stemming from Greek, Celtic, Arthurian, and Christian traditions (08:23)
    • Comments on an early childhood dream and its influence on the poem (10:12)
    • "Often I Am Permitted to Return to a Meadow" {reprise} (13:17)
    • Further comments on the formulation of the book "The Opening of the Field" (14:28)
    • "The Dance" (15:34)
    • Comments on "The Dance," its form and structure, and its place in book. He compares the writing of a book of poems to a complex tapestry with interweaving threads (18:08)
    • Comments on the order of the poems in the book, and how certain themes affect their order (30:21)
    • "The Structure of Rime XI" (38:56)
    • Comments on "The Structure of the Rime XI," various images of death and the author's own mortality (40:06)
    • "A Storm of White" (45:06)
    • Comments on "A Storm of White," and its themes of death. Duncan recounts his own father's death and his reaction to it (47:02)
    • "Bone Dance" (50:12)
    • Duncan discusses the conclusion of the poem "Under Ground" and its relation to death, and how our lives, the world, and the field can be conceived as a monument to the dead. He speaks of his friend's death in World War II at Dunkirk and how it related to the death of his father, and claims all poems relate back to something hidden within the author (52:04)
    • "Under Ground" (54:11)
    • "The Natural Doctrine" (55:27)
    • "The Structure of Rime XII" (56:56)
    • "Ingmar Bergman's 'Seventh Seal'" (58:41)

Content

Material for download

Statistics

  • Downloads: 171 (171 for this version)
  • Listens: 2243 (2239 for this version)

Collections

This material is part of the Poetry Center Digital Archive currated collections:

Licensing


This work is licensed under a Creative Commons Attribution- Non Commercial- ShareAlike 3.0 Unported License. For all other uses please email The Poetry Center.