Charles Tomlinson: May 14, 1963
Charles Tomlinson reads from selected works including poems from Seeing Is Believing and A Peopled Landscape.
- Originally Recorded By
- APA
- Location
- Gallery Lounge, SFSC
- Date
- 05/14/1963
- Total Run Time
- 1:02:12
- Contributor
- James Schevill
- Rights
- ©© American Poetry Archives. This work is licensed under a Creative Commons Attribution-Non Commercial-ShareAlike 3.0 Unported License. For all other uses please email poetry@sfsu.edu
- Views
- 2333
- Downloads
- 264
- Introductory remarks by James Schevill (0:18)
- Remarks on young poets by Charles Tomlinson (3:44)
- "Observation of Facts" (8:33)
- Remarks on silence in poetry (9:59)
- Remarks on "Cezanne at Aix" and "Farewell to Van Gogh" (10:44)
- "Cezanne at Aix" (11:25)
- Remarks on "Farewell to Van Gogh" (12:13)
- "Farewell to Van Goh" (12:44)
- Remarks on perception using quotes from John Ruskin's autobiography, Praeterita and Modern Painters (13:46)
- Remarks on "Tramontana in Lerici" (16:29)
- "Tramontana in Lerici" (17:10)
- "Paring the Apple" (9:04)
- Remarks on objectivism (19:56)
- Remarks on the influence of architecture (20:43)
- Remarks on "The Crane" (22:17)
- "The Crane" (22:34)
- Remarks on visual culture and poetics (23:35)
- "On the Hall at Stowey" (25:42)
- Remarks on British cultural poetics (31:00)
- Remarks on "More Foreign Cities" (34:06)
- "More Foreign Cities" (34:29)
- Remarks on A Peopled Landscape (35:46)
- "Canal" (39:01)
- Remarks on "Canal" (41:02)
- "John Maydew, or The Allotment" (42:00)
- Remarks on the English southwestern region (44:39)
- "The Picture of J.T. in a Prospect of Stone" (46:41)
- Remarks on "Return to Hinton" (46:41)
- "Return to Hinton" (49:29)
- Remarks on "Lament on the Virtues and Verses on the Account of the Death of Don Guido" by Antonio Machado (53:10)
- "Lament on the Virtues and Verses on the Account of the Death of Don Guido" {Antonio Machado} (54:17)
- Remarks on "At Barstow" (56:53)
- "At Barstow" (57:58)
- Remarks on "Mr. Brodsky" (59:34)
- "Mr. Brodsky" (1:00:02)
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