Darius James and Val Jeanty: April 18, 2019

african american musicians african american writers alcoholism alice coltrane american amnesia amos 'n' andy anti-blackness anti-semitism archie shepp arsenio hall berklee college of music blackface blackness black panther party breath brian eno buddhism church of satan collaboration collaborative performance colonialism colonial narratives composers congo consumer goods contagion dance darius james death decay dehumanization diamanda galas discrimination disneyland dj qbert donald goines douglas kearney drumming edgar allan poe electronic music emptiness europe femininity fishbone flying lotus france fraud free jazz french empire haiti haitian american artists haitian drumming haitian revolution haitian tradition hinduism hip hop hoodoo humor hybrid text improvisation in common writers series industrial music industrial noise james brandon lewis james brown jeff buckley jet magazine johann sebastian bach john cage josephine baker kali korg wavedrum latasha n. nevada diggs laurie anderson loas mall culture mamma lao manhattan masculinity meditation mickey mouse nago negative space negrophobia new york new york city new york review of books nickelodeon orishas parables performance petwo pharoah sanders philip fisher pop culture racial caricatures racism rage r&b religion revolution sammy davis jr. screenplay screenplays shuffle along silence songwriting sound spells spirituality spiritual work subway sudan sun ra systemic violence tarot the black mother the immeasurable equation the little rascals thundercat tibetan buddhism tracie morris turkey urban life val jeanty vincent price viscera vodou walt disney walter & elise haas fund war on drugs watergate welfare white anxiety white gaze whiteness white supremacy william seabrook world music