A demonstration of how digital color correction can improve the picture quality of decomposing/faded 16mm archival film. Features split-screen aerial views of Mendocino before and after color correction, taken from Philip Greene's 1973 documentary 'The Place for no Story'. This restoration was supervised by John Carlson, Chief Colorist of Monaco Digital Film Labs (San Francisco). The fully restored film is currently available to view in DIVA.
The Bay Area TV Archive’s digitization projects are supported in whole or in part by the U.S. Institute of Museum and Library Services under the provisions of the Library Services and Technology Act, administered in California by the State Librarian.
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