Take this Hammer (the Director's Cut)

About This Item

To send your email vote in support of Take this Hammer's nomination to the National Film Registry, please visit this web page at the Library of Congress's web site: http://www.loc.gov/film/vote.html.

Please note: copyright to Take this Hammer (the Director's Cut) is held by WNET. All rights reserved. WNET is the premier public media provider of the New York metropolitan area and parent of public television stations THIRTEEN and WLIW21. Take this Hammer (the Director's Cut) was originally produced by KQED for National Educational Television (NET) - the predecessor of WNET - and was never televised. After 15 minutes of footage was cut from the original version, a 44 minute edit first aired on February 4th 1964 at 7:30pm, on KQED Ch.9 in the Bay Area. This shorter broadcast edit was remastered by Monaco Digital Labs in 2009 and may also be viewed in DIVA.

KQED's mobile film unit follows author and activist James Baldwin in the spring of 1963, as he's driven around San Francisco to meet with members of the local African-American community. He is escorted by Youth For Service's Executive Director Orville Luster and intent on discovering: "The real situation of Negroes in the city, as opposed to the image San Francisco would like to present." He declares: "There is no moral distance ... between the facts of life in San Francisco and the facts of life in Birmingham. There is no moral distance ... between President Kennedy and Bull Connor because the same machine put them both in power. Someone's got to tell it like it is. And that's where it's at." Includes frank exchanges with local people on the street, meetings with community leaders and extended point-of-view sequences shot from a moving vehicle, featuring the Bayview Hunters Point and Western Addition neighborhoods. Baldwin reflects on the racial inequality that African-Americans are forced to confront and at one point tries to lift the morale of a young man by expressing his conviction that: "There will be a Negro president of this country but it will not be the country that we are sitting in now." The TV Archive would like to thank Darryl Cox for championing the merits of this film and for his determination that it be preserved and remastered for posterity.

In the film’s very opening scene, Famios Bell (aka Jackie Bell) says to Orville Luster: “I’ll tell you about San Francisco. The white man, he’s not taking advantage of you out in public, like they’re doing down in Birmingham, but he’s killing you with that pencil and paper, brother!” Famios’ family moved to Bayview in 1943 and he eventually worked for almost 40 years as a federal employee before retiring. When interviewed about his meeting with Baldwin by Dutch filmmaker Caroline Bins in 2012, he recalled: “I asked him [Baldwin] what’s it like to be a great writer? … He told me you have to study. You have to become articulate and you have to care. These things I remember, and he also told me that we would have a Black president one day. That sticks in my mind more than anything.” Famios went on to play an active role in his community, coaching basketball and mentoring youth, and this is just one example of how Baldwin’s 1963 visit had a positive impact on the neighborhood.

Director Richard O. Moore was interviewed in 2012 by the TV Archive, and discussed the film production of Take this Hammer and working with Baldwin in The Making of Take this Hammer. As Moore notes, 15 minutes were cut from his original version by order of KQED's Board of Directors, some of whom felt the film cast San Francisco's race relations in an overly negative way. One board member stated that: "I believe we would all agree that it is not the function of KQED to produce inflammatory, distorted, sacrilegious, extremist programming under the name of educational television. I believe this program is all of these." The 59 minute Director's Cut was found in August 2013, as a result of information which came to light during the Moore interview and is preserved at San Francisco State University. Movette Film Transfer of San Francisco remastered this 16mm positive film print in August 2013 in 2K resolution (2048x1556 pixels), using a Kinetta film scanner. A low-res video screener was made publicly available for the first time ever from San Francisco State's Digital Information Virtual Archive (DIVA), in August 2013.

In March and April of 2014, the TV Archive worked with BAFTA Award winning sound editor John Nutt on a digital restoration of Take this Hammer's optical soundtrack, to improve sound quality. A screener featuring this audio restoration, synchronized with the 2K picture was uploaded to DIVA in April 2014. Sound editor John Nutt's explanation of this audio reiteration - together with a sample comparison between audio quality of the original optical soundtrack and the digitally restored soundtrack - are also available in DIVA.

Also note that KQED produced an edition of their Profile, Bay Area TV show on July 11th 1963, at 9:00pm on Ch.9, titled "Is San Francisco Another Birmingham?" This is listed on p.37 of the San Francisco Chronicle newspaper from that day. As Take this Hammer was produced during the spring of 1963, it seems reasonable to speculate that this program was produced in direct response to Baldwin's hypothesis in Take this Hammer that: "There is no moral distance ... between the facts of life in San Francisco and the facts of life in Birmingham." But we are unable to find any copy of this program in our collections. If anyone has leads relating to the possible whereabouts of a copy of this Profile show, please contact the TV Archive. Another citation we found stated that this program was hosted by Caspar W. Weinberger.
Type of material
documentary film
Duration
59:16
16mm b&w optical sound film
Rights for this video belong to
WNET.ORG Properties LLC
Date aired
1963
Originally aired on
KQED
Identifier
KQ 327A 2K audio restoration
Views
29195

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Comments

Thank you for archiving this important piece of San Francisco to the history, the present, and the deferred futures of many San Franciscans. 

Thanks Alex for all the updates. Viewing Take This Hammer again after several months. I still hear and see and gain new insights into Jimmy Baldwin in this historical context of San Francisco, 1963. Ditto: thanks for preserving and maintaining access to this extraordinarily significant film document!

this is my life and are familys on film i was born in 1967 to thes men i moved to each of thes projects i was that one dancen love everybody kid but had all it took to be on the side of the crazyest i was crazy to but i loved dancen and the ather things that made up them ather things i just couldent let go of as we lost thes places and faces so much as lost for are familys then to be trapd by the things like hate we wasent haven it thers people that show up and got down for whats around im happy my life in this film has been found so now my eyes & mind can rest that you got the info and it was raw as i lived it thanks for this film im poptart aka the fillmore kid thats my strutters name my group is the demons of the minds as well p-t 3000 i have the dance side of are lifes over here with me in tartproductions & the brs thes are the key lines to are inter city kids from back then that made up the dancer we call boogaloo robottin or struttin struttin is the name for san francisco ca and im a strutter thats here to put back and keep up the works in the arts of are peoples peaces and thanks for this film it let k=me know its ok to go back to work loven were i came from sf ca 

yes! many thanks for preserving and restoring this film.

thank you for keeping this film alive

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